Kirsten angrily confronts Elizabeth when she finds out that Sarah, the beloved conductor, had died. They are happily reunited and forgive each other for the misunderstandings of the past. Elizabeth, however, realizes that this man quoting a nearly unheard of graphic novel must be her son. Once inside, however, he destroys the museum, putting Kirsten and the Traveling Symphony in danger of being blamed.īecause Tyler had faked his death aboard the plague plane when he was thirteen, he didn't expect anyone to recognize him. Tyler's motivation (he says) is to get something that belongs to him that he fears could be used to harm others, that Clark is keeping in the museum. Once Kirsten understands the reason for Tyler's feelings about life before the pandemic, and his mistrust of the people at the airport, the two join forces to get into the airport together. Even though they saw the story's meaning differently, it was their mutual connections to the graphic novel, Arthur, and their separate experiences of a shared trauma that made the story's impact so important. The story that Miranda told in her graphic novel linked together countless people who would have otherwise not been connected. Overall, the graphic novel reiterates the central theme of Station Eleven, which is that stories are the heart of civilization. Because of his situation, he twisted the words that Miranda meant as her own therapy into a sort of pseudo-religion that he preaches to children. Because he felt that the people in the airport betrayed him, and because he was alone and scared, he had only the Station Eleven comic as a guidepost. She has created this idea of the protective spaceman due to her obsessive rereading of the graphic novel, since it was given to her on the day that the pandemic started, Arthur died, and she lost her parents. Tyler, however, views the graphic novel as a sort of religious tome. Eleven appears to Kirsten when she must move through a transition that she isn't sure she wants to go through, serving as her guide and support system even when she doesn't have one of her own. When she is struggling or scared, the vision of a spaceman appears to help guide her or make her feel protected. This is a similar response to the way that Kirsten interacts with the spaceman. Eleven as a reflection of herself, and the things Arthur said made her feel good about herself. Miranda doesn't confirm his analysis, but she warms to him and eventually joins him at the bar. Their heart is lighter and warmer than they realize, and they wear the suit for protection. Arthur, during his early interactions with Miranda in the dystopian Station Eleven, said that her character represented someone who was alone, but not a spaceman. Eleven, the spaceman protagonist of Miranda's graphic novel. Throughout Station Eleven, Miranda, Kirsten, and Tyler appear to interact with Dr. Art, in her case, truly saved her life, and this becomes an essential theme of the series. She was sitting on top of a countertop, coloring, which saved her life. She watched her entire family die during Hurricane Hugo, when a live wire fell into the flooded waters of their home. Miranda's work on the graphic novel serves as a way of processing the trauma she experienced as a child. By combining and co-mingling these groups, along with other survivors, the show examines not only the fictional world of Station Eleven, but also the real world and its current COVID-19 pandemic. Utilizing his patented magical realism and off-kilter, non-linear storytelling, Somerville brings the dystopian Station Eleven to life in the harrowing, ten-episode series. The HBO Max show focuses primarily on an inter-linked group of survivors who view the pandemic and its aftermath very differently. Related: All HBO Max Original Shows & Movies Releasing In 2022 Just as with his previous work, Somerville focuses on the human relationships that are crucial to his worldbuilding in Station Eleven. Station 11 series#The limited series was created by Patrick Somerville, who previously served as a writer for The Leftovers and Maniac. It was also nominated for the National Book Award and has sold over 1.5 million copies. The book was a critical success, winning the Arthur C. Station Eleven is based on the novel by the same name, written by Emily St.
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